Drama Preh menonjolkan cerita tentang para perempuan Aceh beserta konflik yang berkaitan dengan relasi dan ideologi patriarki. Sisi menarik dari drama Preh ini adalah peran perempuan yang (lagi-lagi) dilindas oleh ideologi patriarki sehingga mereka tidak mampu untuk menyuarakan keinginan, harapan bahkan menentukan nasibnya di atas relasi kuasa laki-laki. Pembahasan tentang relasi patriarki akan selalu menarik untuk dikaji. Melalui drama ini, kita bisa melihat sebuah tradisi bisa menjadi kebiasaan yang secara turun-menurun dan berurat-akar diturunkan dan dilakukan dari generasi ke generasi berikutnya tanpa ada keinginan untuk melepaskan diri dari belenggu tradisi yang membudaya yang berlaku di masyarakat tersebut. F4 Software Serial Number. The same with drama Kena Batunye that is also from the collection of drama Tiga Naskah Drama, Hasil Lokakarya Perempuan Penulis Naskah Drama, drama Preh also takes the women’s problem which is seen from the women perspective mixed with the beauty of local culture.

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If drama Kena Batunye reveals about Poligami that is much influenced by Betawi culture, moreover in drama Preh takes the Acehnesse problem when they have to be waiting their beloved men (can be their son or husband) after Tsunami happened. Drama Preh written by Asma Nadia became one of the winners in Lokakarya Penulisan Drama held by Dewan Kesenian Jakarta at six areas around 2004/2005. Ratna Sarumpaet as the the script writer of drama and also as the Chairman of Dewan Kesenian Jakarta said that the position of women on the Indonesia Theatre Stage has experienced an empty period for a long time. She wants Indonesian women can become the pioneer in writing the script of drama not only as the facilitator and the assistant for the Indonesian man script writer. Becoming the central of substance which will be expressed on the stage, determined the color, form, spirit and soul on the stage in the future.

That is supposed to be the women’s role to contribute to the advance of Indonesia drama. This ideology really appears when Mak always be patient in waiting her son, Cutbang, even she has two daughters, Bibah and Limah. Bibah wants to let their village, Kajhu to get some better life. Moreover, Mak has known that probably Cutbang is died, but she still insists herself to stay in the kampong. This information is revealed by Cutbang’s friend, Zein.

Download Game Guitar Hero Terbaru Di Hp Java. Zein has been looking for Cutbang starting from Takengon until Langsa (p. In fact, there is not any information about Cutbang. The social construction that is full with patriarchy insists Mak not leaved Kajhu.

For Mak, this kampong, hometown, mother village (feminist area) has given her a life, husband and son (masculine) also two daughters which she neglected. The two daughters were put in the lower position than men. As a result, when the masculinity symbolized through her husband and son leaved, Mak is alike lost her life, her soul. These sentences describe Mak’ suffer when she thinks that she has lost her main hope in her life. World Of Warcraft Monster Guide Pdf.